The Hedgehog and the Fox
A Srinivas Rao
23 October 2011
“The fox knows a great many things but the hedgehog knows one big thing” wrote Archilocus a Greek poet, making scholars down the centuries scramble to decipher those dark words. Probably all he meant was that the hedgehog’s single great defence was better than the varied wiles of the fox. It was the polymath Isiah Berlin who gave a plausible interpretation to them. Berlin believed that scholars and thinkers and human kind in general are divided on a deep chasm of contesting visions. On the one hand are those who hold a central vision, one system, and one single organising principle in terms of which all they say and think revolve around, more or less coherent and on the other hand lay those who pursue a diversity of ends often unrelated and disparate, connected only fleetingly, unrelated to any moral or aesthetic purpose. Berlin’s essay was really about dividing writers into two camps; on the one hand were the hedgehogs Plato, Proust, Hegel, Dante, Dostoyevsky, Ibsen and on the other were the foxes Aristotle, Shakespeare, Pushkin, Joyce etc. Berlin’s concern was where to place the complex figure of Tolstoy who he concludes was probably a fox who tried to be a hedgehog.
A Srinivas Rao
23 October 2011
“The fox knows a great many things but the hedgehog knows one big thing” wrote Archilocus a Greek poet, making scholars down the centuries scramble to decipher those dark words. Probably all he meant was that the hedgehog’s single great defence was better than the varied wiles of the fox. It was the polymath Isiah Berlin who gave a plausible interpretation to them. Berlin believed that scholars and thinkers and human kind in general are divided on a deep chasm of contesting visions. On the one hand are those who hold a central vision, one system, and one single organising principle in terms of which all they say and think revolve around, more or less coherent and on the other hand lay those who pursue a diversity of ends often unrelated and disparate, connected only fleetingly, unrelated to any moral or aesthetic purpose. Berlin’s essay was really about dividing writers into two camps; on the one hand were the hedgehogs Plato, Proust, Hegel, Dante, Dostoyevsky, Ibsen and on the other were the foxes Aristotle, Shakespeare, Pushkin, Joyce etc. Berlin’s concern was where to place the complex figure of Tolstoy who he concludes was probably a fox who tried to be a hedgehog.